Pat History Home

 

2014

 

Honolulu Community College

Patrick M Patterson

 

Hist 250:  World History Through Film

 

 


Contents
Instructor:
Course Description
Method of Instruction
Transfer of Credit
Student Learning Outcomes
Textbooks Required
Student Conduct Code
SAFE Zone
Late Assignments and Exams
Make-up Exams
Paper and Bog Rules
Presentation elements:
Content elements:
Critical Thinking/Method elements:
Plagiarism (Copying)
Cheating on Exams and Quizzes
Keeping Records of Your Work
Technology Problems and Class Work
Effort and Assigning Grades
Class Schedule:


 

Instructor:

Pat Patterson
Office: Building 7, Room 617
Office Hours: M-Th 12:00-1:00 PM
Phone: (808) 845-9417
Course Website: http://laulima.hawaii.edu

Course Description

History 250 examines our varying interpretations of the meaning of global historical events as they have been explored through film.  The course will further explore the use of metaphor and narrative, and perspective in the writing of history.

Method of Instruction

The course will involve viewing films about historical events and issues, and using those films as a pathway to understanding the stories we tell ourselves about our own past and the purposes behind those stories. 
This is a writing intensive course.  As such, the major goal of the course, and the primary method of learning, will be through writing.  You will learn to explore your ideas, and historical events, through the process of writing - learning to use writing as a tool for thinking and problem-solving.  More than 70% of your course grade will be based on writing assignments.  You will be required to produce at least sixteen pages of finished, graded written work before the end of the semester.  Failure to meet this requirement will constitute failure in the course regardless of scores earned on exams and papers.  Contact with the instructor and active effort to improve your writing skills are required, and will be a critical part of the evaluation and grading process.

Transfer of Credit

This course transfers to all other UH System campuses as a WI and Diversifications/Humanities course.


 

Student Learning Outcomes

In this course, you will learn, and be able to demonstrate the ability to:

Textbooks Required

Critical Essays:  Since this is a writing intensive course, the major part of the grade will come from formal written work.  Four essays of four or more pages in length will be required during the semester.  Each of these essays will require you to turn in one draft for comments before turning in the final draft for a grade.  In addition, at least once during the semester each student is required to have a writing conference with the instructor, during which advice about writing in general and the paper in question more specifically can be given.  Failure to turn in all four papers, lack of appropriate length in any paper, and failure to turn in drafts and attend the writing conference will be grounds for failure of the course.
Exams:  In addition to the papers, the course will require a midterm and a final exam to help the instructor assess your factual knowledge of the historical and film topics covered.
    


Assignments and Examinations

 Total Points

3 Critical Essays of 4-6 pages each

60%

Unit Discussion blog

20%

Historical Film Script

10%

Final Examination 

10%

Students with Disabilities Statement
Students in this class who need accommodations for a disability should submit documentation and requests to the Services for Students with Disabilities Office (SSD) in Bldg. 2, Room 108A. Phone 845-9282 voice/text or 845-9272 voice/text for more information. If you have already registered your requests with SSD this semester, please contact the instructor and be prepared to provide a current verification letter from SSD. (rev. 3-29-2004)

Student Conduct Code

Students in this class will be expected to follow the HCC and UH student conduct code (http://honolulu.hawaii.edu/intranet/policies/scc.pdf)

SAFE Zone

This classroom is a Safe Zone. You may disagree with other students or the instructor, but you are required to listen/read with respect and to address others' ideas seriously and respectfully. We can have a debate without intimidation or anger. Disruption, intimidation, or other forms of physical, verbal, or digital abuse or harassment will result in expulsion from the class temporarily or permanently and will have a negative impact on grades up to and including a failing grade for assignments and/or the course as a whole.

Late Assignments and Exams

Late assignments will not be accepted. Discussions, exercises, and class notes may not be turned in late for any reason. Personal injury or illness, the illness, injury, or even loss of loved ones is tragic, and I sympathize and have experienced those things myself. These are not reasons to delay coursework. You may turn any assignment in early for one of these reasons. You may choose to miss an assignment for these or other reasons, and those choices are yours to make. However, turning them in late is not an option in this course.

Make-up Exams

Make-up exams will be different from the exam the class takes. For all late exams, regardless of the reason, a grade penalty equivalent to one full grade level for each week the exam is late will be exacted. (The first week begins on the day immediately after the day the exam is due. So, if an exam is scheduled for Monday, and you are given a make-up exam, and take it on the Tuesday immediately after the exam was due, your penalty is to lose one grade level - if you earned a B, it will be recorded as a C, for example).
Examination Rules
Each exam must be taken during the time designated.
Late exams will not be accepted. Make-up exams will be accepted only under the circumstances described in the Late Assignments and Exams, and Assignments and Examinations sections of the syllabus.
Exams MUST be taken in class except in the case of disability or an approved make-up exam.
During the exams, no assistance will be allowed. No notes, no books, and no websites other than the examination window on Laulima are allowed. This includes a ban on the use of other functions of Laulima - no reference to discussions, e-mail, or other Laulima tools or functions is permitted.
No personal music players, no electronic dictionaries, no cellular phones or other personal media players or personal digital assistants of any kind may be used during the exam. If your phone rings during the exam, and you choose to answer, or to even look at the screen, you will be directed to stop your exam at that point. What you have finished by that time will be graded by the instructor. You will not be allowed to continue after you finish your call, regardless of the subject. Be prepared, tell friends and relatives you cannot receive calls during the exam, and turn off your phone, i-pod and any similar devices.
It is your responsibility to check the syllabus and to arrive on time for the exam. You will not be allowed to retake your exam if you are late or mistake the exam date.
Use your best judgment when taking exams. Don't plagiarize, don't cheat. The test is there to evaluate your skills, and represent those skills back to you as an indicator of your current knowledge and ability, and give you goals to strive for as you try to improve. It is not a measurement of you as a person. Cheating on an exam is really cheating yourself as well as cheating those other students who put effort in despite their own challenging lives.


Paper and Blog Rules

Writing will be the primary means of learning, and of assessment, for this course.  Your papers and blog entries must be original – yours, and not a rehash of someone else’s ideas.  No plagiarized papers, or even sentences, will be accepted this semester.

Writing will be graded according to rubrics based on several key elements that address mechanics, content, style, and method.  Those elements include a solid thesis statement that is appropriate to the type of writing being undertaken, and the degree to which the thesis statement and organization of the paper addresses the question or subject at hand; the quality of grammar, syntax, and spelling.  The content elements will include accuracy, precision, clarity, and relevance.  The method/critical thinking elements will include logic, depth, breadth, and fairness.
Below are the things I will be looking for in each category as I evaluate your writing.

Presentation elements:

Content elements:


Critical Thinking/Method elements:

 

Plagiarism (Copying)

Plagiarism will not be tolerated in this class. If you do not know what plagiarism is, be sure to learn. I will be checking every paper and every presentation for plagiarism. Any use of the words, or the ideas of another person without giving credit to them is plagiarism. Further, any re-use of your own or another student's work, turned in for another class or another assignment, is also plagiarism. According to the UH Student Conduct Code, any instance of plagiarism is grounds for expulsion.
My policy is very simple. If you plagiarize once, you fail the assignment on which plagiarism was found. There is no appeal and no credit. If you plagiarize twice, you fail the course, and the Administration will be notified. I don't bend on this.

Cheating on Exams and Quizzes

Any student who is found to be cheating will fail the course, and the administration will be notified. According to the UH Code of Student Conduct:
"Cheating includes, but is not limited to, giving or receiving unauthorized assistance during an examination; obtaining or distributing unauthorized information about an examination before it is given; using inappropriate or unallowable sources of information during an examination; falsifying data in experiments or other research; altering the record of any grade; altering answers after an examination has been submitted; falsifying any official University record; or misrepresenting the facts in order to obtain exemptions from course requirements."


Keeping Records of Your Work

Keep all assignments you turn in for class. If the instructor requires copies in order to verify grades, you must be able to provide them. This is the responsibility of the student and helps to avoid the problems that can occur in the event of unintentional loss of data.

Technology Problems and Class Work

We all use technology, and we all need to learn to manage it effectively. Problems with servers, computers, connections, and modems, among so many others, are all a part of life. They are not emergencies, and they are not an excuse for late work.  Make allowances for the possibility of technology failure. Do your work early and often. Back up everything you do for this course, including e-mails. E-mail lost in cyberspace, a broken server connection, or a virus-infected computer will not be accepted as excuses or reasons for late work.

Effort and Assigning Grades

Grades in this course will be assigned based on performance only. The instructor has no way to measure how long you studied, or how hard you may have tried. If you wish to dispute a grade, you may do so. Understand that disputes will be adjudicated based on the grading rubric for the assignment, and references to effort and time spent will have no effect. Appeals to need of a grade for GPA reasons, or need to pass in order to graduate also will have no merit in adjudicating grading disputes.


Class Schedule:

  • Week 2: Jan. 20-26 Continue Assignment #1
  • Week 4: Feb. 3-9
    • Revising Essay #1 (Categorizing your first film: is it history or is it "costume drama"?)
    • Watching Film #2: Mainstream Drama: Watch and in Blogs, take notes on one of the following films:
      • Glory (1989) starring Matthew Broderick, Denzel Washington, & Morgan Freeman
      • The Patriot (2000) starring Mel Gibson
      • The Messenger: The Story of Joan of Arc (1999) Dir. Luc Besson
      • Spartacus (1960) Dir. Stanley Kubrick, starring Kirk Douglas
      • Mutiny on the Bounty (1962) starring Marlon Brando
      • Argo (2012) dir. Ben Affleck, Starring Ben Affleck
      • Asoka (2001) dir. Santosh Sivan
      • The Lion in Winter (1968) dir. Anthony Harvey
      • The Mission (1986) dir. Roland Joffe, starring Robert DeNiro
      • Lilly Marlene (1980)
      • The Return of Martine Guerre (19820
      • Gandhi (1982) starring Ben Kingsley
      • The Night of the Shooting Stars (1983)
      • Born on the Fourth of July (1989)
      • Schindler's List (1993)
      • Underground (1998)
      • Frida (2002)
      • Kinsey (2004)
      • Good Night and Good Luck (2005) dir. George Clooney
    • Quiz #2:  More film terminology
    • Blogs: What do we expect a history film to be? Join the discussion in "Blogs"
    • Essay #1: Movie categorization essay final draft due 2/16 at 11:59 PM via Assignments tool
    • Read Rosenstone Ch. 2 , 3; Corrigan Ch. 3
  • Week 5: Feb. 10-16
    • Begin Essay #2 Rough Draft(Mainstream Drama)
      • Write a movie review, critiquing the success of the Mainstream Drama you watched last week. Last week we decided what we expect from a mainstream drama. Comparing the movie you watched with those expectations. Do some research to find out how well the movie depicts the historical facts. Was the point of view of the movie different from what your research shows? Finally, does the movie you watched somehow add to the historical debate about the meaning of the real events it depicts, and if so how? (Use the essay examples in Corrigan, Ch. 3 & Ch. 4 to help you work on this essay).
    • Quiz:  Rosenstone, Ch. 3, "Mainstream Drama."
    • Essay #2 draft due 3/16 at 11:59 PM via Blogs tool
    • Read Rosenstone Ch. 4; Corrigan Ch. 4
  • Week 6: Feb. 17-23
    • Revise Essay #2: Mainstream Drama
    • Blogs: Join the discussion by reading each others' drafts, commenting, and using the comments to revise.
    • Quiz:  Corrigan Ch. 3-5
    • Read Rosenstone Ch. 5; Corrigan Ch. 5
  • Week 7: Feb. 24-March 2
    • Watch Film #3: Innovative Drama: Watch and in Blogs, take notes on one of the following films:
      • Battleship Potemkin (1925) dir. Sergei Eisenstein
      • October (Ten Days That Shook The World) (1928) dir. S.M. Eisenstein
      • Alexander Nevskiy (1938) S. Eisenstein
      • Pan's Labyrinth (2006) dir. Giullermo Del Toro
      • Ceddo (1977) dir. Ousmane Sembene
      • Ran (1985) dir. Akira Kurosawa
      • Kagemusha (1980) dir. Akira Kurosawa
      • Rome, Open City (1945) dir. Roberto Rossellini
      • Zoot Suit (1982) dir. Louis Valdez
      • Metropolis (1927) dir. Fritz Lang
      • Chronos (1985) dir. Ron Fricke
      • Quilombo (1984) dire. Carlos Diegues
      • Walker (1987) dir. Alex Cox
      • Thirty-two Short Films About Glenn Gould (1993) dir. Francois Girard
      • Underground (1995) dir. Emire Kusturica
    • Quiz:  Rosenstone Ch. 5
    • Blogs: Begin making your own movie script. Join the discussion in "Blogs" (You will be asked in the "Assignments" tool to write your own Innovative Drama script. It can be about your own life, or about an event that you find important. To make research simpler, it should be about something you have experienced or been affected by in your own lifetime, but it must find an innovative way to tell the story so that it is educational to its audience (me and the rest of the class).
    • Essay #2 Final Draft due 3/23 at 11:59 PM via Assignments tool
    • Movie Script ideas and theme due in Blogs tool 3/2 at 11:59 PM
    • No Reading this week
  • Week 8: March 3-9
    • Revising Essay #3 (Revise your film script based on the comments you have received)
    • Blogs: Join the discussion by reading each others' drafts, commenting, and using the comments to revise.
    • Read Corrigan Ch. 7
  • Week 9: March 10-16
    • Revising Film Script (Revise your film script based on the comments you have received)
    • Blogs: Join the discussion by reading each others' drafts, commenting, and using the comments to revise.
    • Innovative Drama Film Script First Draft due 3/30 at 11:59 PM via Blogs tool
    • No Reading this week
  • Week 10: March 17-21 (March 22-30 is SPRING BREAK)
    • Revising Film Script (Revise your film script based on the comments you have received)
    • Blogs: Join the discussion by reading each others' drafts, commenting, and using the comments to revise.
    • Innovative Drama Film Script Final Draft due 4/13 at 11:59 PM via Assignments tool)
    • No Reading this week
  • Week 11: March 31- April 6
    • Watch a Documentary Film: Watch, and in Blogs take notes on a history documentary of your choice. You can find many history documentaries on the HCC Library website under the link "Films on Demand." The BBC, PBS, and History Channel Websites are also rich sources. Be sure the documentary is about history. "Ice Road Truckers," and others like it about contemporary lives are not okay for this assignment.
    • Blogs: How does the documentary you chose exemplify the problems that Rosenstone discussed in Chapter 5?
    • Read Rosenstone Ch. 6
  • Week 12: April 7- 13
    • Watch a biography film: Watch and in Blogs, take notes on one of the following films:
      • The Last Emperor (1987) dir. Bernardo Bertolucci
      • Amadeus (1984) dir. Milos Forman, starring Tom Hulce
      • Elizabeth (1998) dir. Shekhar Kapur, starring Cate Blanchett
      • The King's Speech (2010) Tom Hooper
      • Bobby (2006) dir. Emilio Estevez
      • Reds (1981) dir. Warren Beatty
      • Lincoln (2012) dir. Steven Spielberg
      • Lawrence of Arabia
      • Raging Bull
      • Patton
      • Braveheart
      • Malcolm X
      • Becket
      • The Ten Commandments
      • Ivan Groszny II
      • Capote
      • A Beautiful Mind
      • Finding Neverland
      • Butch Cassidy & the Sundance Kid
      • The Diary of Anne Frank
      • Papillon
      • La Bamba
    • Blogs: Join the discussion by commenting on the contribution to history that these films make.
    • Quiz: Rosenstone, Ch. 6
    • Read Rosenstone Ch. 7
  • Week 13: April 14-20
    • Begin writing Essay #4: Analysis of a director as historian. You may watch new films for this assignment (including those by Oliver Stone, Roberto Rossellini, Clint Eastwood, Steven Spielberg, or others who have spent more time than most making history films. Your choice of director does not have to be one who has made more than one historical film, and you may choose a producer instead of a director.)
    • Blogs: Join the discussion by reading each others' drafts, commenting, and using the comments to revise.
    • Thesis statement for essay #4 due April 20, at 11:55 PM, via Blogs tool.
    • Read Rosenstone Ch. 8
  • Week 14: April 21-27
    • Revise Essay #4 (use the comments you have received from the instructor, and from other students on your blog.
    • Blogs: Join the discussion by reading each others' drafts, commenting, and using the comments to revise.
    • Essay # 4 Draft due 4/27 at 11:59 PM via Blogs tool
    • Read Rosenstone Ch. 9
  • Week 15: April 28-May 4
    • Revise Essay #4 (Revise based on the comments you have received)
    • No Blog due
    • Essay #4 Final Draft due 5/4 at 11:59 PM via Assignments tool.
  • Week 16: May 5-7 (Instruction ends May 7)
    • Watch your favorite history comedy (I will watch The History of the World, Part I, or Blazing Saddles) and explain in the Blogs tool what makes this film so funny from a historical perspective. Be sure to be careful about how you phrase things so that you don't get yourself into trouble with insensitive comments that might offend others - this is for fun.

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